Friday, October 30, 2009

Post-structuralism

Post Structuralism
By the mid 20th century there were a number of structural theories of human existence. In the study of language, the structural linguistics of Ferdinand de Saussure (1857-1913) suggested that meaning was to be found within the structure of a whole language rather than in the analysis of individual words. For Marxists, the truth of human existence could be understood by an analysis of economic structures. Psychoanalysts attempted to describe the structure of the psyche in terms of an unconscious.
In the 1960's, the structuralist movement, based in France, attempted to synthesise the ideas of Marx, Freud and Saussure. They disagreed with the existentialists' claim that each man is what he makes himself. For the structuralist the individual is shaped by sociological, psychological and linguistic structures over which he/she has no control, but which could be uncovered by using their methods of investigation.
Originally labelled a structuralist, the French philosopher and historian Michel Foucault came to be seen as the most important representative of the post-structuralist movement. He agreed that language and society were shaped by rule governed systems, but he disagreed with the structuralists on two counts. Firstly, he did not think that there were definite underlying structures that could explain the human condition and secondly he thought that it was impossible to step outside of discourse and survey the situation objectively.
Jacques Derrida (1930- ) developed deconstruction as a technique for uncovering the multiple interpretation of texts. Influenced by Heidegger and Nietzsche, Derrida suggests that all text has ambiguity and because of this the possibility of a final and complete interpretation is impossible.
Jacques Derrida: Deconstruction
For Derrida, language or 'texts' are not a natural reflection of the world. Text structures our interpretation of the world. Following Heidegger, Derrida thinks that language shapes us: texts create a clearing that we understand as reality. Derrida sees the history of western thought as based on opposition: good vs. evil mind vs. matter, man vs. woman, speech vs. writing. These oppositions are defined hierarchically: the second term is seen as a corruption of the first, the terms are not equal opposites.
Derrida thought that all text contained a legacy of these assumptions, and as a result of this, these texts could be re-interpreted with an awareness of the hierarchies implicit in language. Derrida does not think that we can reach an end point of interpretation, a truth. For Derrida all texts exhibit 'differance': they allow multiple interpretations. Meaning is diffuse, not settled. Textuality always gives us a surplus of possibilities, yet we cannot stand outside of textuality in an attempt to find objectivity.
One consequence of deconstruction is that certainty in textual analyses becomes impossible. There may be competing interpretations, but there is no uninterpreted way one could assess the validity of these competing interpretations. Rather than basing our philosophical understanding on undeniable truths, the deconstructionist turns the settled bedrock of rationalism into the shifting sands of a multiplicity of interpretations.
Post-structuralism is not a school, but a group of approaches motivated by some common understandings, not all of which will necessarily be shared by every practitioner. Post-structuralism is not a theory but a set of theoretical positions, which have at their core a self-reflexive discourse which is aware of the tentativeness, the slipperiness, the ambiguity and the complex interrelations of texts and meanings. Post-structuralism is, as the name suggests, consequent upon Structuralism, with which movement one should have some familiarity in order to understand post-structuralism.
There follow some of assumptions of post-structural thought.
I Post-structuralism is marked by a rejection of totalizing, essentialist, foundationalist concepts.
a totalizing concept puts all phenomena under one explanatory concept (e.g. it's the will of God)
an essentialist concept suggests that there is a reality which exists independent of, beneath or beyond, language and ideology -- that there is such a thing as 'the feminine', for instance, or 'truth' or 'beauty'
a foundationalist concept suggests that signifying systems are stable and unproblematic representations of a world of fact which is isomorphic with human thought.
II Post-structuralism contests the concept of 'man' as developed by enlightenment thought and idealist philosophy. Rather than holding as in the enlightenment view that 'individuals', are sacred, separate and intact, their minds the only true realm of meaning and value, their rights individual and inalienable, their value and nature rooted in a universal and transhistorical essence -- a metaphysical being, in short -- the post-structural view holds that persons are culturally and discursively structured, created in interaction as situated, symbolic beings. The common term for a person so conceived is a 'subject'.
Subjects are created, then, through their cultural meanings and practices, and occupy various culturally-based sites of meaning (as family members, as occupationally and economically and regionally defined, as gendered and of sexual orientation, as members of clubs or clients of psychotherapy or presidents of their school parents' organization, and on and on -- every site evoking a different configuration of the self, different language uses, different foci of value and energy, different social practices, and so forth).
Subjects are material beings, embodied and present in the physical world, entrenched in the material practices and structures of their society -- working, playing, procreating, living as parts of the material systems of society.
Subjects are social in their very origin: they take their meaning and value and self-image from their identity groups, from their activities in society, from their intimate relations, from the multiple pools of common meanings and symbols and practices which they share variously with their sub-cultural groups and with their society as a larger unit.
Post-structural understandings of persons are sometimes referred to as 'anti-humanist', because they are opposed to the Humanist idea that persons are isolate, unified, largely immaterial beings, and that humanity is transcendent, universal and unchangeable in its essence. To be anti-humanist is not to be anti-humane, however, but to have a different philosophical and ideological understanding of the nature of the person.
III Poststructuralism sees 'reality' as being much more fragmented, diverse, tenuous and culture-specific than does structuralism. Some consequences have been,
poststructuralism's greater attention to specific histories, to the details and local contextualizations of concrete instances;
a greater emphasis on the body, the actual insertion of the human into the texture of time and history;
a greater attention to the specifics of cultural working, to the arenas of discourse and cultural practice;
a greater attention to the role of language and textuality in our construction of reality and identity.
IV Post-structuralism derives in part from a sense that we live in a linguistic universe. This means, in the first instance, rejecting the traditional aesthetic, phenomenalist assumption that language is a 'transparent' medium which hands over experience whole and unproblematically; in a 'linguistic' universe 'reality' is only mediated reality, and what it is mediated by is governed by such things as:
the way language works, by difference for instance;
the world of discourse which governs our knowledge and way of speaking about the subject under discussion: we can imagine only what we can symbolize, speak of only what we have language for, speak only in the ways our rules of discourse allow us to;
the workings of the 'master tropes' (a trope is a way of saying something by saying something else) of metaphor, metonymy, synecdoche and irony;
the structure of ideology, which attempts to 'naturalize' power relations and our sense of how the world is configured;
the various cultural codes which govern our understandings of our selves, our place, our procedures;
the idea that any cultural construction of meaning will privilege some meanings or experiences and deprivilege others, but that there will be traces of the deprivileging or suppression of some experiences, and by looking at the cracks, the silences, the discontinuities which ideology attempts to smooth over, we can deconstruct or demystify the cultural meanings;
the idea that we think in terms of certain tropes, and construct meaning in terms of genres, so that meaning is pre-channeled in certain typified, identifiable ways, which ways reveal more about their construction of meaning than about any 'reality' beyond the rhetorical constructs.
To put this briefly, we live in a world of language, discourse and ideology, none of which are transparent, all of which structure our sense of being and meaning.
V All meaning is textual and intertextual: there is no "outside of the text," as Derrida remarked. Everything we can know is constructed through signs, governed by the rules of discourse for that area of knowledge, and related to other texts through filiation, allusion and repetition. Every text exists only in relation to other texts; meaning circulates in economies of discourse. This understanding does not mean that all reality is textual, only that what we can know of it, and how we can know, is textual, constructed through discourse, with all its rules; through symbols, linguistic and otherwise; through grammar(s).
VI Discourse is a material practice; the human is rooted in historicity and lives through the body. (Why 'historicity' instead of 'history'? Because the term 'history' suggests an objectively existing, cognitively available reality; 'historicity' implies that what we conceive of as history is tentative, situated, contingent.)
VII In Foucault's terms, the production of discourse, the (historical, material) way we know our world, is controlled, selected, organized and distributed by a certain number of procedures. Discourse is regulated by rules of exclusion, by internal systems of control and delineation, by conditions under which discourses can be employed, and by philosophical themes which elide the reality of discourse -- the themes of the founding subject, originating experience, and universal mediation. Discourses are multiple, discontinuous, originating and disappearing through chance; they do not hide the truth but constitute its temporary face. Foucault is post-structuralist in his insistence that there is no great causal flow or plan or evolution of history, that what happens is mainly by chance.
VIII The Derridean concept of différance links up with Freudian suppositions and marxist ideas to highlight concepts of repression, displacement, condensation, substitution and so forth, which, often by following metaphoric or metynomic links carefully, can be deconstructed or revealed; what is 'meant' is different from what appears to be meant. Meaning disguises itself. This is essentially structuralist, one of the reasons why 'post-structuralism' cannot be understood without structuralism.
IX Texts are marked by a surplus of meaning; the result of this is that differing readings are inevitable, indeed a condition of meaning at all. This surplus is located in the polysemous nature of both language and of rhetoric. It must be kept in mind that language is what is (for us as cognizant beings), that our sense of reality is linguistically constructed. Consequently the 'meaning of it all' is continually differing, overflowing, in flux.
X A 'text' exists as read. This 'reading' is formed, conducted, through certain mediating factors:
the present structures of discourse, hence understanding, including the present conceptions of the discourse structures of the time of the 'writing' of the text.
the traditions of reading, and the oppositions which those traditions have made possible, of that particular text,
the expectations dictated by the genre of the text and the tradition of genre of the reading,
the relations of meaning which are 'in' the text by virtue of its having been written at all, modified by the fact that these relations have a certain historical existence, a local, situated, and corporeal existence whose reality may or may not be imaginatively recoverable;
the understanding that these 'historical' relations of meaning will to some extent be mystifying and ideologizing relations,
the understanding that insofar as texts have a surplus of meaning they tend to reveal the flaws which the reigning discourse is attempting to mystify,
the conceptual distances between the historical discourse / ideology / cultural codes / genre-traditions of the past and the historical discourse / ideology / cultural codes / genre-traditions of the present, which distance opens up 'new' meanings which the work could not have, in a sense, had before. Post-structuralism is deeply aware of such hermeneutic reading and also suspicious of it, certain that meaning is historical, uncertain that it is recoverable as what it may have meant.
XI At the expense of repetition, let's go again over the sorts of conflict Culler notes deconstructionist criticism (which is a mode of or modes of post-structuralist criticism) may look for [On Deconstruction pp. 213-215]:
the asymetrical opposition or value-laden hierarchy
points of condensation, where a single term brings together different lines of argument or sets of values
the text's ecarte de soi or difference from itself -- anything in the text that counters an authoritative interpretation, including interpretations that the work appears to encourage (this was touched on earlier re: the cracks, silences, discontinuities, etc.)
self-reference, when the text applies to something else a description, image or figure that can be read as self-description, as a representation of its own operations; one can by applying these to the operations of the text read 'against the grain'
an interest in the way conflicts or dramas within the text are reproduced as conflicts in and between readings of the text -- Texts thematize, with varying degrees of explicitness, interpretive operations and their consequences and thus represent in advance the dramas that will give life to the tradition of their interpretation
attention to the marginal -- hierarchies depend on exclusions; the marginalized is what the text resists, and therefore can be identified by.
XII Post-structuralism is consequent on and a reaction to structuralism; it would not exist without structuralism. Macherey's points in his critique of structuralism (1965) lay out some of the groundwork for post-structural thought:
structuralism is a-historical; life and thought are historical -- they change, different relations with different elements at different times, and so forth
the transfer of knowledge from one area of knowledge (e.g. linguistics) to other areas of knowledge is questionable enterprise
structuralism assumes that a work has intrinsic meaning -- that is, it is 'already there' and always there, that the 'meaning' pre-exists its realization (it is already there -- we just identify it).
structural analysis is therefore the discovery of the rationality or 'secret coherence' of a text. But this coherence is a coherence that precedes the text, or it could not form the text. For there to be 'intrinsic meaning' there has to be a pattern or order or structure which governs and orders and regulates the production of meaning. The text is therefore in a sense a 'copy' of that order or structure which grounds the coherence of the text; analysis of a text is a copy of a copy, the text is just an intermediary between the reader and the structure of rationality, and so it 'disappears'.
structuralism presupposes the traditional and metaphysical notion of harmony and unity; a work is only a work, i.e. only has meaning as an entity, only insofar as it is is a whole. This notion negates the reality of the material conditions of production or reception, it makes the meaning itself unitary, is makes criticism commentary, a pointing out of the essential truth which is embodied not in but through the work.

11 comments:

  1. Structuralism is an approach to the human sciences that attempts to analyze a specific field (for instance, mythology) as a complex system of interrelated parts. It began in linguistics with the work of Ferdinand de Saussure (1857-1913). But many French intellectuals perceived it to have a wider application, and the model was soon modified and applied to other fields, such as anthropology, psychology, psychoanalysis, literary theory and architecture. This ushered in the dawn of structuralism as not just a method, but also an intellectual movement that came to take existentialism's pedestal in 1960s France.[1]

    In the 1970s, it came under internal fire from critics who accused it of being too rigid and ahistorical. However, many of structuralism's theorists, from Michel Foucault to Jacques Lacan, continue to assert an influence on continental philosophy, and many of the fundamental assumptions of its critics, that is, of adherents of poststructuralism, are but a continuation of structuralism.[1]

    According to Alison Assiter, there are four common ideas regarding structuralism that form an 'intellectual trend'. Firstly, the structure is what determines the position of each element of a whole. Secondly, structuralists believe that every system has a structure. Thirdly, structuralists are interested in 'structural' laws that deal with coexistence rather than changes. And finally structures are the 'real things' that lie beneath the surface or the appearance of meaning.[2]

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  2. Post-Structuralism (which is often used synonymously with Deconstruction or Postmodernism) is a reaction to structuralism and works against seeing language as a stable, closed system. "It is a shift from seeing the poem or novel as a closed entity, equipped with definite meanings which it is the critic's task to decipher, to seeing literature as irreducibly plural, an endless play of signifiers which can never be finally nailed down to a single center, essence, or meaning" (Eagleton 120 - see reference below under "General References"). Jacques Derrida's (dair-ree-DAH) paper on "Structure, Sign, and Play in the Discourse of the Human Sciences" (delivered in 1966) proved particularly influential in the creation of post-structuralism. Derrida argued against, in essence, the notion of a knowable center (the Western ideal of logocentrism), a structure that could organize the differential play of language or thought but somehow remain immune to the same "play" it depicts (Abrams, 258-9). Derrida's critique of structuralism also heralded the advent of deconstruction that--like post-structuralism--critiques the notion of "origin" built into structuralism. In negative terms, deconstruction--particularly as articulated by Derrida--has often come to be interpreted as "anything goes" since nothing has any real meaning or truth. More positively, it may posited that Derrida, like Paul de Man (de-MAHN) and other post-structuralists, really asks for rigor, that is, a type of interpretation that is constantly and ruthlessly self-conscious and on guard. Similarly, Christopher Norris (in "What's Wrong with Postmodernism?") launches a cogent argument against simplistic attacks of Derrida's theories:

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  3. The application of specific psychological principles (particularly those of Sigmund Freud and Jacques Lacan [zhawk lawk-KAWN]) to the study of literature. Psychoanalytic criticism may focus on the writer's psyche, the study of the creative process, the study of psychological types and principles present within works of literature, or the effects of literature upon its readers (Wellek and Warren, p. 81). In addition to Freud and Lacan, major figures include Shoshona Felman, Jane Gallop, Norman Holland, George Klein, Elizabeth Wright, Frederick Hoffman, and, Simon Lesser.

    Key Terms:

    Unconscious - the irrational part of the psyche unavailable to a person's consciousness except through dissociated acts or dreams.

    Freud's model of the psyche:

    Id - completely unconscious part of the psyche that serves as a storehouse of our desires, wishes, and fears. The id houses the libido, the source of psychosexual energy.
    Ego - mostly to partially (<--a point of debate) conscious part of the psyche that processes experiences and operates as a referee or mediator between the id and superego.
    Superego - often thought of as one's "conscience"; the superego operates "like an internal censor [encouraging] moral judgments in light of social pressures" (123, Bressler - see General Resources below).

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  4. It is probably best to approach the term "structuralism" through an attempt to understand the concept of "structure" within this theoretical point of view. Without an understanding of this fundamental concept, it is difficult to arrive to an understanding of the intellectual movement referred to as structuralism. Traditionally the major problem with the term structure has been its concreteness. The word refers to phenomena, e.g. buildings, which are most physical in their essence. Needless to say, structures in structuralism are not neither concrete nor physical. Structures refer to mental models built after concrete realty. Furthermore these models are not obvious but demand an understanding of hidden, or deep aspects, of the matter at hand. Following this approach structuralism is an attempt to build models which can help understand or, as structuralists, would put it explicate the materials at hand.

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  5. Post-structuralism encompasses the intellectual developments of certain continental philosophers and sociologists who wrote within the tendencies of twentieth-century French philosophy. The movement is difficult to define or summarize, but may be broadly understood as a body of distinct responses to structuralism (hence the prefix "post"). Many contributors, most notably Jacques Derrida, Michel Foucault, and Julia Kristeva, either inverted structuralist principles or set out to reject them outright. In direct contrast to the structuralist claim of an independent signifier superior to the signified, post-structuralism generally views the signifier and signified as inseparable but not united; meaning itself inheres to the play of difference.[1] Theorists such as Roland Barthes and Jean Baudrillard merged traditional Marxian ideas relating to capitalist exchange value (e.g. commodity fetishism) with such novel principles, bringing into attention the relationship between consumerism and the realm of the sign. The movement is closely related to postmodernism. Anti-humanism, as a rejection of the enlightenment subject, is often a central tenet. Similarly, existential-phenomenology is of considerable influence. One could argue that the post-structuralists might just as accurately be called the "post-phenomenologists".[2

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  6. Psychoanalysis is a body of ideas developed by Austrian physician Sigmund Freud and continued by others. It is primarily devoted to the study of human psychological functioning and behavior, although it also can be applied to societies.


    Psychoanalysis has three applications:


    a method of investigation of the mind;
    a systematized set of theories about human behaviour;
    a method of treatment of psychological or emotional illness.[1]
    Under the broad umbrella of psychoanalysis there are at least twenty-two different theoretical orientations regarding the underlying theory of understanding of human mentation and human development. The various approaches in treatment called "psychoanalytic" vary as much as the different theories do. In addition, the term refers to a method of studying child development.

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  7. Postmodernism literally means 'after the modernist movement'. While "modern" itself refers to something "related to the present", the movement of modernism and the following reaction of postmodernism are defined by a set of perspectives. It is used in critical theory to refer to a point of departure for works of literature, drama, architecture, cinema, journalism and design, as well as in marketing and business and in the interpretation of history, law, culture and religion in the late 20th and early 21st centuries.

    Postmodernism is an aesthetic, literary, political or social philosophy, which was the basis of the attempt to describe a condition, or a state of being, or something concerned with changes to institutions and conditions (as in Giddens, 1990) as postmodernity. In other words, postmodernism is the "cultural and intellectual phenomenon", especially since the 1920s' new movements in the arts, while postmodernity focuses on social and political outworkings and innovations globally, especially since the 1960s in the West.

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  8. Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes both a set of cultural tendencies and an array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late nineteenth and early twentieth centuries. The term encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social and political conditions of an emerging fully industrialized world.

    Modernism rejected the lingering certainty of Enlightenment thinking, and also that of the existence of a compassionate, all-powerful Creator.[2][3] This is not to say that all modernists or modernist movements rejected either religion or all aspects of Enlightenment thought, rather that modernism can be viewed as a questioning of the axioms of the previous age.

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  9. Movement in literary criticism and philosophy begun in France in the late 1960s. Drawing upon the linguistic theories of Ferdinand de Saussure, the anthropology of Claude Lévi-Strauss (see structuralism), and the deconstructionist theories of Jacques Derrida (see deconstruction), it held that language is not a transparent medium that connects one directly with a "truth" or "reality" outside it but rather a structure or code, whose parts derive their meaning from their contrast with one another and not from any connection with an outside world. Writers associated with the movement include Roland Barthes, Jacques Lacan, Julia Kristeva, and Michel Foucault.

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  10. Post-structuralism emerged in France during the 1960s as an antinomian movement critiquing structuralism. The period was marked by political anxiety, as students and workers alike rebelled against the state in May 1968, nearly causing the downfall of the French government. At the same time, however, the support of the French Communist Party (PCF) for the oppressive policies of the USSR contributed to popular disillusionment with orthodox Marxism. As a result, there was increased interest in alternative radical philosophies, including feminism, western Marxism, phenomenology, and nihilism. These disparate perspectives, which Foucault later labeled "subjugated knowledges," were all linked by being critical of dominant Western philosophy and culture. Post-structuralism offered a means of justifying these criticisms, by exposing the underlying assumptions of many Western norms.
    Two key figures in the early post-structuralist movement were Jacques Derrida and Roland Barthes. In a 1966 lecture "Structure, Sign and Play in the Discourse of the Human Science", Jacques Derrida presented a thesis on an apparent rupture in intellectual life. Derrida interpreted this event as a "decentering" of the former intellectual cosmos. Instead of progress or divergence from an identified centre, Derrida described this "event" as a kind of "play."

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  11. **Some differences and distinctions between structuralisim and post -structuralisim
    ORIGIONS:
    STRUTURALISM derives from linguistics .They do believe in systemacity ,reason, logic, collictivisim, facts and maxims to establish truths.
    There is a unity and a sense of relaxation since every thing is ready the meanings are sold because it followed rules “that means no self-determination”.
    POST –STRUCTURALISIM derives from phiolosophy.There is a sense of chose you cannot control on your emotion.They are spirit and illogic “lack of reason “they do believe in subjectivism and interpretation “not facts”
    It based on scepticisim “inquiries and doubts”.There is a sense of torment since every thing is complex , meaninings are floating “self-determination”.{the meanings are fully consious of irony and paradox which doing this entails.But meanings in structuralisim are unconscius.
    TONY AND STYLE
    STRUCTURALIST writing tends towords abstraction and generalisation:it aims for a detached,”scientific coolness”of tone.{so it is based on scientific and systematic diagrams}
    The style is neutral and anoymous.and the ideas –thematic aspects.

    POST STRUCTURALISIM based on deconstralisation, Peculiarities. Playfulness, tends to be emotive ,thy are interested pun ,fun ,isolation of standard convention ,revolution of subjective .There is a diversity of meaning ,they are modern and innovative, they are interested in stylistic.

    TONY AND STYLE
    STRUCTURALIST writing tends towords abstraction and generalisation:it aims for a detached,”scientific coolness”of tone.{so it is based on scientific and systematic diagrams}
    The style is neutral and anoymous.and the ideas –thematic aspects.

    POST STRUCTURALISIM based on deconstralisation, Peculiarities. Playfulness, tends to be emotive ,thy are interested pun ,fun ,isolation of standard convention ,revolution of subjective .There is a diversity of meaning ,they are modern and innovative, they are interested in stylistic.
    PROJECT:
    Structuralisim categorizing and structuring reality .{this means : reality is structured and united}

    POST-STRUTURALISIM it distrusts the very notion of reason ,and the idea of the human being as an independent entity ,preferring the notion of the “dissolved”

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